Books
                           

WATER SHINING BEYOND THE FIELDS
7x5 1/2, 192 pp, $14.00 (Tres Chicas Books, 2006)
"A picaresque journey of vagabonding in the timeless tradition of
the
wanderer who sets out on raw paths, unhurried in stride, reflective amid
unexpected encounters which provide him with both poetic source and
personal
renewal. Brandi's adventure is full of long walks, misty temples, wild
bus
rides, solitary river excursions, culinary escapades and off-the-wall
humor.
It is also a cultural and political journey, one that eventually throws
light on our survival options in a troubled world."
In
What D isappears
6x9,
112 pp. $15.00 (White Pine Press, 2003)
"Delicate, gracious and eloquent, John Brandi's moving new
collection of poems, In What Disappears, reveals that he remains
an extraordinarily profound poet of prayer and praise. His
tradition is that of the timeless spiritual mendicant, the perpetual
wanderer, the seeker who travels the raw paths of experience in search
of the world's wisdom. His is the most honorable and heroic of
ambitions --- to dress our broken world in the clothes of language,
trust, and hope." - David St. John
Reflections in the Lizard’s Eye:
Notes from the High Desert
6x9,
190 pp, photos. $14.95 (Western Edge Press, 2000)
Thirteen
essays celebrating the land and people of the American Southwest: hidden
nooks, mysterious uplifts, eccentric loners, spunky elders, wandering
poets, Hispanic curanderas, maverick truckers, lone cowboys, Mexican
folk artists, & Hopi mesa dwellers. Hailed by novelist John Nichols
as “a bittersweet, hardass, heartfelt swan song to the disappearing
vestiges of a more truthful way of life.”
“The
power of these prose pieces left me awestruck and full of wonder! John
is a shamanic guide into the seasons of the heart.” —Rudolfo Anaya,
author of Bless Me Ultima.
Weeding the Cosmos
5
1/2 x 6 1/2, 110 pp. $10 (La Alameda Press, 1994)
Selected
haiku, introduced by J. Bryan. “These quick-flash snippets culled from
decades of writings—in solitude, while traveling, in work-a-day
routines, on high-country switchbacks—spring from a tradition as old as
Japanese poet Basho and still just as lively. Falling somewhere between
haiku and senryu, these poems bring to light a distinct American style
with roots firmly planted in the natural world and in the seasons of the
human heart.”
“As
delicious as discovering the moon over and over again, this book
says—Wake up! Be amazed at what happens, no matter what.”
—Natalie Goldberg
Unmasking
the Fire: Bali Journals
5 1/2
x 8 1/2,
30 pp. $5 (Yoo-Hoo Press,
2000)
Co-authored
with Renée Gregorio, these paired journal excerpts are culled from
several journeys to Bali. Two distinctive viewpoints, written in haibun
style, enhanced with Brandi’s collage images.
Visits to the City of Light
5
1/2 x 8 1/2,
44 pp. $10 (mother’s milk
press, 2000)
Introduced
by Jack Hirschman. Poems & prose from travels in the Himalayas, Laos,
Thailand, Indonesia—and India’s sacred city of Kashi (Benares). Photos
by the author. From Jack Hirschman’s preface:
“It’s not simply the light of Asia that’s informing these poems. In
this book one perceives a deepening inward ... moments of absolute
epiphany flooded with the details of life. Brandi is a human being,
affirming poetry of great beauty and, amid multi-petalings of
image-details, lines that speak to the core of the self.”
Stone Garland
a haiku journey: northern Viet Nam
4
1/4 x 8 1/2,
28 pp. $10 (Tooth of Time
Books, 2000)
200 copies numbered and signed by author
96
haiku in a limited edition with loose-wrap cover. From Brandi’s
introduction: “While in Viet Nam, my eyes never stopped looking, my pen
never stopped writing. Of the
haiku that follow, most are culled from notebooks penned during three
inspiring weeks among people of varied tasks—some in the maze of Ha
Noi’s Old Quarter, some in village river ports, many at work in the
rich, wet poetic mountainscapes nearing Yunnan.”
Heartbeat Geography: selected &
uncollected poems, 1966-1994
6x9,
245 pp. $15 (White Pine Press, 1995)
Uncollected
poems, plus selections from eight out-of-print books, introduced by Scott
Nicolay. Sixteen pen-and- ink “glyphs” by the author.
“I love John Brandi’s ‘pledge to clarity,’ his politics in the
sense of witness, his candor, his delight & heart towards children
& friends, his terrific travel details and his aspiration toward
egolessness ... This book sings with life!
—Anne
Waldman
That Back Road In
6 x 8
1/2,
150 pp. $10 (Wingbow Press, 1985)
Poems,
1972-1983, written in the outback of Four Corners, “red geography”
where Utah, New Mexico, Arizona, and Colorado come together. Illustrated
by the author’s pen-and-ink “word maps.” From the rear cover:
“Good strong simple poems, quietly eloquent, shapely as snowflakes.”
—Edward Abbey
“John
Brandi’s sandy poem mandalas, crisscrossing back and forth on their own
paths, begin to fill out landscapes in depth. Life in both space and
time—”
—Gary Snyder
“Lines
as wiry and sinuous and vivid as a desert campfire. Brandi’s idea that
landscape ‘projected’ the typography is fascinating.”
—Michael McClure
A Question of Journey
7x8, 196 pp. $15 (Light and Dust Books, 1995)
“A
celebratory collection of vignettes compiled in Asia. A journey through distant lands as well as the continent of
the heart, rich with non-stop impressions crowding the beholder’s eye:
surreal landscapes from India and Nepal, solitary journal jottings from a
Himalayan pilgrimage, grim and touching episodes from barbaric urban
ghettos, street theater from the deserts of Rajasthan, conversations with
waifs, prophets, tillers of the soil and of the soul.”
Eighteen superbly-reproduced photo-montages.
“Brandi
deals with the mysteries of male-female relationships, the loss of
innocence, the confrontation with spirituality in the real world, and the
complex euphoria of being alive.”
—Charlotte Moser
Houston Chronicle
No Other Business Here: a Haiku Correspondence
5 1/2 x 7, 96 pp, photos. $12 (La Alameda Press, 1999)
Co-authored
with Steve Sanfield. For decades—while on the road or in the solitude of
their desert and mountain homes—Brandi and Sanfield exchanged hundreds
of plaintive, often whimsical 3-liners full of chuckles, wake ups,
quick-spark insight into the world’s fleeting essences, as well as the
unavoidable folly preceding the little truths at the core of slapstick
stumbles. Here are the best of ‘em.
“Brandi
and Sanfield are pioneers of the American haiku. Read these poems only for
pleasure.”
—Michael McClure

Empty
Moon : Belly Full / Haiku from India and Nepal
5 x 7, 76 pp. $10 (Pilgrims,
2000)
"These
poems ring true, ring changes on our lives as planet people, caught in our
inner bureaucracies of the soul, found in the very lostness we once
feared. Turn off your computer, stop the car and muffle the cell
phone: find something human, right here in your hand."
— William J.
Higginson
Send
cash orders to John Brandi, PO Box 275, El Rito NM 87530. Add $3
postage for all orders except Visits
to the City of Light,Unmasking
the Fire, and Stone Garland,
($1). Direct credit card orders to Small Press Distribution www.spdbooks.org
(800.869.7553). Or, for Reflections
in the Lizards Eye: www.mtnpress.com
or http://www.mtnpress.com/otherpages/HISTORY/bookpage/RefltLiz.htm
                             
For portfolio of current work, please send
inquiries to johnbrandi@cybermesa.com
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